News at N8tiveArts

Love an Hozho

Love and Hozho- by Erick Begay
As we approach Christmas this piece from 2010 came to mind. It is a silver crown, adorned with emeralds, diamonds, turquoise and sapphires, that I made for an Italian painting of the Virgin Mary holding baby Jesus. It was commissioned by the Our Lady of Wisdom Italo-Greek Byzantine Church of Las Vegas, and hangs there today along with other elaborate artworks of Italo-Byzantine style.
It was about 13 years ago that Father Vivona came into my studio and showed me gemstones that a parishioner had donated for the crown. He showed me a photo of the painting and asked if I could do it. Although we built a good rapport over the years, I still wonder why he chose me. I did not attend his church (nor any other), and I didn't consider myself a spiritual/religious kind of person. Nonetheless, he commissioned me to make it.
I had met Father Vivona about 6 years before when he commissioned a simpler project for him. He had spent 30 years out west and knew a lot about Native American cultures. He was a bold man from Brooklyn, New York and spoke with slight New York accent. He was a very intelligent man, very keen on any topic. He would stop in the gallery once or twice a year, and I enjoyed our conversations that often wandered from subject to subject.
He respected Native spiritual traditions. Once, I shared with him my background of growing up with a mom, who read from a Bible that was written in Navajo on one page and English on the other, and how she would take us as children to St. Francis Cathedral for 6:00am mass, which was all in Latin, and how these experiences mixed with memories of my grandfather, a Medicine man who prayed with eagle feathers and corn pollen, chanting Navajo prayers to the shaking of a rattle, and how these two world existed in me: Christianity mixed with Navajo spirituality (concept of Hozho). Both speaking two languages I didn't understand, yet speaking one language with an unforced rhythm that I could.
Another time, I showed Father Vivona a Hopi Priest Killer katsina, which is a katsina that was designated to execute priest during the Pueblo revolt of 1680. He knew the history. He was appalled at how Franciscan priests established totalitarian theocracies, which suppressed any religious practices, desecrated sacred objects and destroyed kivas. He then explained how it is important to be respectful and inclusive of the culture/traditions around. He eventually tied it back the work of Paul the Apostle and how Paul traveled the ancient world and set up the early churches, tolerant of cultural traditions, each one a different sect, like a facet to a diamond. The Church being the diamond.
The day I attached the finished crown to the Virgin Mary, Bishop Dino was there with Father Vivona. It was a Saturday on a summer’s day, 2pm and the church was empty. I arrived with my then-girlfriend, Dee. Our relationship was new, we had only been together for a few months; but from the first day I met her, I knew that she was "The One." After I attached the crown to the painting, I had my moment. I was scared, but it was my moment. I was anxious. I asked the bishop if he would say a blessing over us and our new relationship. He obliged.
From my childhood, I was familiar with regular mass at St. Francis. I figured it would take a few minutes, say a few words, a touch on our foreheads and the sign of the cross. Amen. Then we will be on our way. What happened was more beautiful than I had expected. The Italo-Greek Byzantines have some flare.
Father Vivona went to his office and brought out a book, white with golden edges. His hand covered the front of the book, but I could make out the word “marriage” in the title. Bishop Dino directed us to the altar of the beautiful church, decorated with iconic painting in gilded-gold, colorful stained glass, heavily-carved columns of wood and marble floors.
We stood at the altar of this beautiful, empty church. The bishop directed us to join hands, then draped a cloth over them. They began the blessing from the book. The whole blessing was in Latin and beautifully sung, as their tradition. For about ten minutes they chanted an unforced rhythm of Latin words with varying pitches. One singular voice, then in unison, back to one voice, then both together again. Bold, baritone voices bounced off the marble floors, resonating into the deep-carved wooden pillars, and bellowed into every seat of that empty church to the back row. The moment was understood, holy and sacred.
Intuitively, I knew what the Latin blessing was about: devotion, grace, honor, sacrifice, respect, faith, Love, Hozho, the greatest of these: Love and Hozho.
The blessing ceremony was just for us and everything felt right. Our relationship was blessed in Hozho, everything restored to harmony and balance.
We thanked them and drove away, both in peaceful silence. The following April, we were married, in the unforced rhythms of Love and Hozho.
-Erick Begay, December 24, 2022
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Old Soldiers

These tools, formed out of lifeless grey cold steel, become our palette of colors and textures that we paint our world with. Their ultimate purpose: to leave their mark on the world, leaving only their impressions behind, like footprints in the sand. When used together, their footprints can lead to the treasures of the heart, creating a symphony of design crafted in silver.
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The Fair - by Erick Begay

Turquoise Bolo Tie from 1956Turquoise Bolo Tie Vintage
The Fair - by Erick Begay
A client came into the gallery the other day. He is 93 years old, was married 66 years, and has been collecting Native Art for 70 years. He is a retired engineer, lived in the southwest most of his life and worked in and around the Navajo reservation. I met him a few years ago and he always has a story about collecting Native American art.
He said: "I bought this bolo tie in 1956. We would attend The Fair in Winslow each year. At the fair, Natives would travel in their wagons, and some had jewelry and wares to sell. I had always wanted a bolo tie and saw this one. It was the first time I saw a mixture of styles: Hopi-style overlay and Navajo. It is very contemporary and unique. I bought it for $12, my budget was $20. We loved going to The Fair each year."
I then showed him a photograph that circulates in our family. It is a photograph of my maternal grandparents in 1955 at "Indian Days" that took place each year at the La Posada Hotel in Winslow, Az
He got excited and said, "That is it! That is The Fair". I could see memories flood his mind as he looked at the photograph. A tear welled-up in the corner of his eye. He touched the gold band on his finger and said "Gosh that brings back so many memories. We loved going to The Fair in Winslow."
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Shadow Box Bracelet by Erick Begay Wins Second Place at Eiteljorg Museum Show

June 25, 2016 Indianapolis, Indiana -

This sterling silver and Mediterranean red coral Shadow Box bracelet, handmade by owner Erick Begay,  earned a "Second Place Award" at this past weekend's Eiteljorg Museum Indian Market in downtown Indianapolis.

This bracelet is a stunning example of Navajo silversmithing, as it incorporates a number of specialized metalsmithing techniques. The most compelling is the "shadow box technique", which is simply the making of a hollow form and setting the stones within the hollow form (through an opening) and antiquing the background to form a "shadow".  It is available at

 Navajo silversmith, Erick Begay grew up watching his mom, Frances Begay, make "chip inlay" jewelry that was reminiscent of this style and this design is a homage to the silversmiths of the 1970's (Frances Begay, Tommy Singer, Charlie Singer, Willie Singer).  
Erick Begay has over 30 years of jewelry making experience and exhibits his work at the annual Eiteljorg Indian Market, as well as his own gallery in Boulder City, Nevada.  Check out more of his work, as well as this bracelet, at
Erick Begay downtown Indianapolis June 2016

The Eiteljorg Museum in Indianapolis, which opened in 1989, was founded by Harrison Eiteljorg. The museum showcases Western and Native American art and cultural objects. The Eiteljorg host its annual Native American Market every June.For more information about the Eiteljorg museum check out their website at:
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Needle Point, Snake Eyes and Petit Point styles of Jewelry

 by Erick Begay

Some of the most beautiful and exciting Native American jewelry is made by combining many stones into one piece.   Depending on how the stones are cut, this style of combining stones can be called Cluster-Work, Needle Point, Petit Point and Snake Eyes.  These four styles emerged in the early 1920's-1940's  and are primarily made by the Zuni Tribe, although some Navajos will make similar designs. These styles have a feminine quality to them, as the stones are set in small and elegant settings.

These designs are very tedious as each bezel (the silver holding the stone) is individually shaped and solder. Then the stones are cut, glued to matchsticks, then shaped and polished with a series of grinding wheel. Most artist typically will use Sleeping Beauty Turquoise or Mediterranean Red Coral, but other non-traditional stones (e.g. lapis, opal) have been used.

Cluster Work
Many artist excel at combining stones of any shape into large clusters to form a design/pattern. The term "cluster work" is a general term that is used to describe this style. Many times "cluster work" is used synonymously with Petit Point.  Generally with "cluster work"  combinations of small round, square, rectangle and teardrop stones are used to create an infinite amount of designs. 


Petit Point
Petit Point jewelry refers to cluster-work that is made up of stones that are pear-shaped: oval on one end and pointed on the opposite. This type of work is typically made in round and oval designs, but other shapes are possible. This style is made by Navajo  and Zuni artists.  Here are few artist that excel in petit point designs:
  • Larry Moses Begay (signed LMB) 
  • Francis M. Begay (signed: F.M. Begay) 
  • Robert and Bernice Leekya (RBL) 
  • Justin Wilson (JW) , Violet Harvey Nez (VHN)
  • Nathaniel and Rosemary Nez (N&R Nez) 
  • Alice Quam (A.Q) 
  • Robert Eustace (inscribed Robert Eustace).


Needle Point
Needle point Jewelry is a very elegant style that emerged in Zuni jewelry in the 1940's. It is among some of the most labor intensive jewelry to make. Made by both Navajo and Zuni artist,  this style is defined as a small slivers of stone that are pointed on both ends. 
  • Ed Cooeyate
  • Edith Tsabetsaye
  • Irma & Octavius Seowtewa
  • Claudine Peketewa
  • Iva Booqua

 Snake Eyes

This style of jewelry is among my favorite. The snake eye designs are when small round stones are set in a pattern, mostly precise rows of stones. When made properly, this style of design often has 100+ small stone in one piece. Probably the most notable artist family of this work is the Haloo family :

  • April Haloo
  • Steven Haloo
  • Peter Haloo
  • Vivian Haloo


Keep in mind that all of these style, as precise as they look, are 100% handmade and can never be made this precise with machines or cast with commercial casting equipment.   These designs are staples of Zuni and Navajo jewelry, and genuine Native Handmade jewelry is not only beautiful, it is historical and cultural. 

References (available on


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What exactly is Zuni Jewelry?

by Erick Begay


At N8tiveArts we will mention in a product description that a piece is "Zuni handmade" and what we are referring to is that the artist of the piece is from the Zuni tribe.

Who are the Zuni?

The Zuni tribe is small indigenous tribe of New Mexico, who have farmed and raised livestock, along the Zuni River for thousands of years. Today there are about 10,000 tribal members with a large percentage of them who are talented artists (potters, carvers, painters and jewelers) who depend on the sale of their art for their livelihood.

Their reservation is located about 150 miles west of Albuquerque, and 30 miles south of Gallup and covers about 450,000 acres of scenic high desert of New Mexico. 

The ancestors of the Zuni established settlements along the Zuni River and built villages that consisted of multi-storied housing. In the 1500's, the cities were rumored to have untold riches: that people used dishes of gold and silver, and decorated their homes with turquoise, emeralds and other precious gems. These villages were known as the "Seven Cities of Gold" and are what lured Spanish explorer Coronado to lead an expedition in 1540.

History of Zuni Jewelry

The "artwork" of the Zuni has existed in ancient times, as they have carved animal fetishes out of stone for ceremonial purposes.  These small carved animals are believed to have inherent powers or qualities that aid the owner of the piece. Mark Bahti states in his book, Spirit in the Stone: A Handbook of Southwest Indian Animal Carvings and Beliefs "Each fetish has its specific purpose, ranging from protection against witchcraft to controlling the weather, luck in gambling, use in war ceremonials, and curing illnesses."

In the 1830's, The Zuni learned to work copper and brass  and around 1870-1880's they had learned silversmithing technique from the Navajos. Much of the early Zuni jewelry around this time resemble the early Navajo style of hand-engraved all silver designs hammered out of silver coins.

Turquoise was introduce in Zuni jewelry design around 1890. The style didn't change much for the next several decades,as most of the jewelry was made for the Zuni people. It was in the early 1900's a trading post owner, C.G. wallace opened a trading post in the Zuni village. C.G. Wallace employed many Zuni artist and was instrumental in producing Zuni jewelry for sale for the tourist trade.

During this era (1920-1950), and with the introduction of better material and modern tools, Zuni jewelry flourished in and many distinct styles of Zuni jewelry emerged: pettypoint, needle point, mosaic inlay, channel Inlay and fetish necklaces. These distinct styles of jewelry are seen today in Zuni jewelry. Zuni Jewelry is best known for intricate stone work, mosaic inlay and stone animal carvings.

Sleeping Beauty Silver Cluster Bracelet by Robert & Bernice Leekya - VN60WBeautiful Multi Stone Zuni Inlay Earrings Leander Orthole NJ50DSilver Multistone ThunderBird Inlay Buckle by Bobby Shack - CD31N

As Theda Bassman outlined in her book, Treasures of the Zuni, it is estimated that there are about 10,000 Zuni tribal members and about 50%-75% of Zuni family income comes from the sale of arts and crafts and "there is probably no village in North America with a higher concentration of skilled craftspeople that the Pueblo of Zuni" and "their greatest natural resource of the Zuni is the artistic creativity of its people".

At N8tiveArts, we deal directly with many of the artist whose work we carry in our store. Each piece will be individually handmade out of genuine stones and shell. set in sterling silver or 14k gold. Here are a few items the we carry from Zuni Artist: Zuni Jewelry


References (available on


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